Cratelo
The board is open

We make songs trend.

Fund a campaign. Editors post your song. You set the budget and how they're paid — per view, or flat per video.

No followers needed · Free for creators · You set the budget

Ken Carson — Shades On campaign Reach Live on the board Ken Carson — "Shades On" basketball edits $0.90 / 1,000 views $500 budget
Campaigns
live now
Budget on
the board
10M+
Views delivered
for artists
8
Labels who've
paid us direct
0
Followers needed
to get paid

Live figures read straight off the board. The 10M+ and the 8 labels are @josh.edit's own track record — the editor Cratelo was built out of, not campaigns the platform has run. We'll say so until the platform's own numbers are bigger.

CRT—002  /  The board

On the board right now.

All campaigns
Active Reach Ken Carson Ken Carson — "Shades On" basketball edits $0.90Per 1,000 views $500Budget $500 left  ·  $0 paid out TikTok Open Active Invite only ADELA ADELA — "Ain't in LA" sports edits $35Flat per video $70Budget $70 left  ·  $0 paid out TikTok Open Active Invite only Ken Carson Ken Carson — WWE sound promo $90Flat per video $90Budget $90 left  ·  $0 paid out TikTok Open
CRT—003  /  What you can list

Two types of campaigns.

The difference is simple: whose page the video ends up on.

Type A — Reach

Posted on their page

Creators post your track to their own audience. You set what a post is worth — a rate per 1,000 views, or a flat amount per post.

  • You decide the rate and the structure
  • Hundreds of creators on one budget
  • Cheapest way to move a sound
  • Cap each post so nothing runs away

Best for: pushing a single, seeding a sound, release week

Type B — Ghost

Posted on yours

An editor makes the video. You post it as your own and own it outright. Flat price, agreed before anyone starts.

  • For artists and labels who don't want to be on camera
  • Fixed price per video, no surprises
  • Full rights handed over on delivery
  • Approve it before you pay

Best for: filling your own feed, label rosters, faceless artists

Running more than one record? Both types come with every plan →

CRT—004  /  How it runs

Three moves, one campaign.

A campaign isn't a phone call and a vibe. It's a listing — what plays, who can post it, what a post is worth, and where the money stops.

Step 01 — The artist

List the record

Set the rate, the budget and the per-post cap. The budget is a hard ceiling and what you don't spend stays as credit. Then it goes on the board with the sound and the clip pack attached.

Start a campaign →
Step 02 — The cap

One post can't eat it

41,208 views at $1.20 per thousand earns $49.45. The cap you set pays $40 of it and puts the rest back on the board for the next creator. You know the worst case of every post before it goes up.

Open the board →
$49.45Earned
$40.00Paid out
$9.45Back to budget
Step 03 — Both sides

Read the same ledger

Creators don't chase an invoice and artists don't wonder where the budget went. Every post, every view, every dollar — one list, both sides, nothing reconciled in a DM.

Register your accounts →

Surfaces above show the mechanism with example numbers, not a past campaign. Real numbers are public on the board.

CRT—005  /  Does this work?

One post is a coin flip.

A record almost never breaks because one video hit. It breaks because a lot of accounts used the sound and a few of them caught. That's the whole reason this is many creators instead of one expensive one — same budget, more shots.

One creator

It works or it doesn't, and you find out once. No second attempt on the same money.

Thirty creators, same budget

Most won't land. You only need a few to. Thirty tries across thirty different audiences is a spread, not a bet.

The grid illustrates the mechanism — it is not a measured hit rate, and we won't publish one until we've run enough campaigns to have an honest number.

Campaign 001

The first one we run, published in full.

Every creator, every post, every view count and every payout — the whole thing, win or lose. If the spread doesn't work, you'll see that too. That's the number worth trusting, and it's the only one we'll ever claim.

Not run yet
CRT—006  /  The difference

Why not the other way?

There are three ways to get a record posted. Here's all of them, straight.

  Cratelo Clipping platforms A promo agency DMing editors
Who can post Anyone. No follower minimum, no account-age rule. Typically 10K followers and a 6-month-old account. Their own small roster. Whoever answers.
What creators pay Nothing, ever. Plans are for labels only. Sometimes a monthly fee to be seen first. N/A — they're staff. Nothing.
Cut of your budget None. Every dollar reaches a creator. A percentage, usually folded into the quote. The retainer is the cut. None.
How you pay Your call — per 1,000 views, or flat per video. Per view only. Retainer, whether it moves or not. Per video, negotiated one at a time.
Video on your own page Yes — Ghost campaigns, rights transferred on delivery. No. Sometimes, at agency rates. Yes, if you agree it yourself.
Did they use your sound Checked before it pays. A re-upload doesn't count. Usually eyeballed. You take their word. You check by hand.
Worst case per post Known upfront — a per-post cap you set. One viral video can eat the budget. The retainer, spent either way. Paid before you see the result.
Money you don't spend Stays as credit. We don't keep it. Varies. Gone. N/A.

"Clipping platforms" describes the follower and account-age gates the main music and brand clipping platforms publish on their own creator pages. We're describing the model, not one company — and we'd rather you check it than take our word.

CRT—007  /  Background

Cratelo is new. We're not.

8Labels who've paid us to make
videos with their artists' music

  • Alamo Records
  • Foreign Media
  • Le Festin Media
  • Broke Records
  • CBMG
  • 50-50 Ventures
  • J2 Agency
  • Chaotic Good
Who's behind it @josh.edit

The editor labels call when a record needs to move — 10M+ views for artists this summer alone. Cratelo is that same network, opened up so any artist can use it and any editor can get paid from it.

Views for artists, this summer
10M+
Followers
120K
Likes
11.7M

What that looks like

What a record does on our pages: 972K — DYW Dance · 886K — Whoa · 822K — Roundtripski  —  2.7M views, 400K likes, three edits. Every number is a real post you can click. These labels hired us directly, not the platform — Cratelo is that same job at scale, with hundreds of editors instead of one.

CRT—008  /  The paperwork

The boring part, handled.

The four things that turn a promo deal into a mess, dealt with before anyone posts anything.

  • Ownership The artist confirms they own the recording and the writing — features and producers with a cut included — at upload. Nothing goes on the board until they do.
  • Ghost rights On a Ghost campaign the finished video transfers to you outright on delivery, in writing, before the editor is paid.
  • Tax Creators file their details once at signup. US creators over the $600 threshold get a 1099 — no scramble in January.
  • Stopping Kill a campaign at any point. Cleared posts get paid, the rest of the budget stays as credit on your account.
CRT—009  /  Open supply

No followers needed.

Everyone else wants 10,000 followers and a six-month-old account. But TikTok pushes videos, not accounts — so we let everyone in, and creators climb by delivering. That's why your budget reaches pages nobody else can buy. See how creators climb →

0Cratelo
10KEveryone else
CRT—010  /  Liner notes

Straight answers.

If you have music

Does this actually work?

A record rarely breaks off one video. It breaks because a lot of accounts used the sound and a few caught. One post is a coin flip; thirty on the same budget is a spread. We haven't published a hit rate because we haven't run enough campaigns to have an honest one — here's the mechanism, and Campaign 001 gets published in full.

What does it cost?

You set the budget and can't go over it. You also decide how creators get paid — a rate per 1,000 views or a flat amount per video. Pay per view and a flop costs you almost nothing. Running more than one record? See the plans.

Do you take a cut of the budget?

No. Every dollar of the campaign budget goes to a creator. The plan fee is separate and covers running the campaign — which is why the plans page shows them as two different things.

 

How do I know the views are real?

Counts come straight from TikTok, Instagram and YouTube — not screenshots. We check the video actually used your sound, screen for fake traffic, and cap every post so one video can't drain the budget.

Can I stop a campaign?

Any time. What's left stays as credit on your account. We don't keep unspent money.

Do creators pay anything?

No, and they never will. Plans are for artists and labels. The board is free to join with no follower minimum — which is exactly why your budget reaches pages the gated platforms can't sell you.

Here to post, not to promote? Rates, levels, payouts and every creator question live on the campaign board →

CRT—011  /  Get started

Got a record?

We're taking the first campaigns now.

Tell us what you're pushing and we'll set the first one up with you by hand — budget, rate, rules, the lot.

No spam. We'll reply within a day.

A roster rather than one record? See the monthly plans →

Here to post, not to promote? Open the campaign board instead →

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